09月22日, 2014 92次
威尼斯: Venezia圣马可广场:Piazza San Marco庞贝古城:Pompei佛罗伦萨: Firenze米兰市: Milano米兰大教堂: Duomo di Milano罗马市: Roma罗马斗兽场: Colosseo意大利的民俗: Dogana italiana
As you wander around Pompeii， it is strange to thinkAs you wander around Pompeii， it is strange to think that you are walking along the same pavements and streets as people did over 2000 years ago. The roads are paved with slabs of grey， volcanic rock from Vesuvius - just like the streets of nearby Naples today. The pavements were a lot higher than the level of road - for a very good reason. Not only did the road act as a drain for rainwater， but it also carried away a lot of rubbish and even sewage. This made it rather unpleasant to cross， so there were stepping stones to help people keep their feet clean. The stepping stones were arranged with gaps so that the wheels of carts could pass through. We know that the streets of Pompeii carried a lot of wheeled traffic， because there are deep grooves where the wheels have worn away.
十笏园为中国北方园林建筑。始建于明代，又名丁家花园，位于山东潍坊市胡家牌坊街，面积2000平方米。因占地小，喻若十个板笏之大，故名。1988年中华人民共和国国务院公布为全国重点文物保护单位。 十笏园原是明嘉靖年间刑部郎中胡邦佐的故宅，清代陈兆鸾（清顺治年间任彰德知府）、郭熊飞（清道光年间任直隶布政吏）曾先后在此住过，后于清光绪十一年（公元1885年）被潍县首富丁善宝以重金购作私邸，修葺了北部三间旧楼，题名砚香楼，开挖水池，堆叠假山，始成私人花园。十笏园是整个丁宅建筑群落的一部分，该建筑群落除“文革”中被毁的后花园外，现存的建筑面积一万零四百平方米，古建筑房屋200余间，其中仅十笏园中的大小建筑就多达34处。 十笏园既是一处著名的古代园林，又是文物陈列馆所，曾为潍坊市博物馆原馆址所在地，异彩纷呈的文物分批轮流陈列，向观众开放，使这座名园更增添了丰富的文化内涵。 Ten tablet held by officials during imperial audience gardens for China north part of garden structure. Builds in the Ming Dynasty, also names the Ding family garden, located at Shandong Weifang Hu Jia memorial arch street, area 2000 square meters. Because occupies a land area is small, explains, if big ten board tablet held by officials during imperial audience, therefore. in 1988 the People's Republic of China State Council announced for the nation key Cultural relic preservation organ. the ten tablet held by officials during imperial audience gardens are originally the bright Jiajing year the Ministry of Justice doctor of Chinese medicine Hu bonzo former dwelling, Qing Dynasty Chen Zhaoluan (clear Shunzhinianjian are appointed Zhangde governor of prefecture), Guo Xiongfei (the clear Daoguang Dynasty, no matter what Chihli cloth politics government official) once successively had lived in this, latter (in 1885) is bought in clear Guangxu 11 by Wei County richest family Ding Shanbao by the large sum of money does the private residence, the repair north three old buildings, the autograph inkstone fragrant building, excavates the basin, piles up one on top of another the rockery, the beginning becomes the personal garden. Ten tablet held by officials during imperial audience gardens are entire Ding Zhai construct the community a part, this building community besides “the Great Cultural Revolution” the back garden which destroys, extant floor space 10,400 square meters, historic building house 200, in the only ten tablet held by officials during imperial audience garden's size construction much amounts to 34. the ten tablet held by officials during imperial audience gardens were not only a famous historical garden, was also the cultural relic exhibition hall institute, once for the Weifang Museum original hall site locus, the colourful cultural relic by groups and in turn exhibited, was open to the audience, causes this famous garden to increase the rich cultural connotation. 杨家埠村位于山东半岛北部，世界风筝都潍坊近郊，全村320户，1142口人，辖地18.2平方公里，耕地1764亩，地势平坦，土质肥沃，气候温和，属东亚季风气候，适宜多种农作物生长。历史悠久，文化灿烂，明古槐与明古屋闻名遐迩；木版年画、风筝誉满全球，经济发展迅速，是重点开发地段。最先兴建的杨家埠民间艺术大观园，为仿古建筑，四合院结构。内有杨家埠木版年画陈列馆、杨家埠风筝陈列馆、民俗院、婚俗馆。到这里可以亲手扎制风筝、套印木版年画，也可以放风筝、坐空中缆车等。门神画中的武门神《神荼郁垒》在民间有个非常生动的传说：商末周初，度朔山上生有奇桃，肉甜味美，食之可延年益寿，桃下住着兄弟二人，哥哥叫神荼，弟弟叫郁垒，他们为人正直，力大无比，凶猛老虎为他们护林看桃，野牛岭上有个野大王，心狠手毒，喝人血，吃人心，残害百姓。一天，野大王派人到度朔山上索取仙桃，被神荼、郁垒轰走，野大王气得七窍生烟，一个黑夜，野大王带领他的信徒装扮成恶鬼前去报复，被神荼、郁垒用桃条捆起来扔给了老虎，所以桃木辟邪由此而来，同时成为辟邪驱鬼的工具。还有一个“灶王”的传说也很有意思，据传“灶王”原是浪荡公子张万仓，外号张腊月，原配丁香女勤俭贤惠、美丽善良，由于张腊月喜新厌旧，后门休出丁香女，前门娶来王海棠。不几年家底被挥霍净光，张腊月后悔莫及哭瞎了眼，便沿街乞讨，有一年腊月二十三，他讨饭到了丁香家，丁香女看到张腊月可怜，便不记前仇，让仆人把他请进来给他一碗龙须面吃。当他得知这是前妻丁香家时，羞愧难当便一头掸死在锅台上，从此贤惠的丁香女便在每年的腊月二十三祭祀他于锅台上，传来传去，便把张腊月传为“灶王”，民间也传下了在腊月二十三过小年时张贴“灶王”的习俗。杨家埠有限公司位于烟潍路国道边，到这里可以领路当地的民风民俗，既可以住五星级宾馆，也可以住农家院，吃农家饭，还可以买风筝和木版年画。到杨家埠交通便利，通讯发达，公路纵横，烟潍路国道傍村而过，寒清公路纵贯南北，潍坊市区五路公共汽车直达村内。有潍坊萝卜等土特产，有风味独特的朝天锅名吃，有核雕、风筝、年画等工艺品，有“跑旱船”等闹春习俗。 Yang Bucun located in the northern part of Shandong Peninsula, the world Weifang kites are suburban, village 320, 1142, exemptions to 18.2 square kilometers, 1,764 acres of farmland, is flat, fertile soil, mild climate, the East Asia monsoon climate, suitable for a variety of Crop growth. Has a long history and splendid culture, and that the Maillard Guhuai famous; woodcut New Year pictures, Kite Awards, rapid economic development is the key development areas. Yang Jiabu the construction of the first folk art Grand View Garden, for the antique building, courtyard structure. Yang Jiabu board with pictures galleries, Yang Jiabu Kite Exhibition Hall, folk homes, Marriage Customs Museum. To be here personally扎system kites, overlay board pictures, can also be kite-flying, ride a cable car, and so on. Door-painting in the door god "God Tu Yu-base" in the people to have a very vivid legend: Business at the end of weekly, in the mountains of Health has Shuo Qi Tao, the United States and sweet meat, food of longevity may be, the two brothers lived under the peach , Called God Tu brother, my brother called Yu-base, people of integrity, of the very large, ferocious tiger forest for them to see peach, wild bison Lingshang have a king, Xinhen hand drugs, drink human blood, eating people and injure people. One day, wild king sent people to the mountains of New Moon from Xiantao, God Tu, Yu Lei Hong Zou, wild king Qiqiaoshengyan Qide, a dark night, wild king to lead his followers dressed as Egui forward to revenge, God Tu, Yu Peach of the base used to tie up Rengji the tiger, so the resulting Taomu evil spirits, evil spirits Qugui at the same time as a tool. There is also a "kitchen-" the legend is also very interesting, said to "focus King" was originally Langdang son of 000 positions, the nickname of La Yue, Original clove women diligence Xian-hui, beautiful kind-hearted, because of Layue Xixinyanjiu, clove woman to break the back door , The front door to marry Wang Begonia. Years was not squander the resources Jing Guang, Zhang Layue regret and tears Xiale Yan, then the streets begging, Layue 23, 2001, he Taofan home to the clove, clove-Layue poor women to see, they will not mind Qianchou, He asked the servant to let him come in to eat a bowl of Long Xumian. When he learned that it was his ex-wife clove home, ashamed Nandang have died in a Guotai Shan, Xian-hui from the clove women will be 23 in the annual ritual Layue He was Guotai, Chuan came to, then Chang Chuan-Layue "Stove", under the civil-also in La Yue, 23, posted a small "kitchen-" customs. Yang Wei Jiabu Co., breathing way of the Road side, can lead the way here to the local Folkways, we can live five-star hotels, homes can also live farm breakfast of rice, you can buy kites and board pictures. Yang Jiabu to convenient transportation, advanced communications, highways aspect, breathing Wei Road and State Road near the village, cold-longitudinal North-South Highway, Weifang urban Rd direct access to the village bus. Weifang is the carrot, and other native products, the unique flavor of the air pot Ming Chi, a nuclear eagles, kites, pictures and other souvenirs, "Pao Hanchuan" Naochun practices.
找中文的，在线再翻译潍坊的的官方网站
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竞技场 (The Colosseum or Coliseum)The Colosseum or Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is an elliptical amphitheatre in the centre of the city of Rome, Italy, the largest ever built in the Roman Empire. It is one of the greatest works of Roman architecture and engineering.Occupying a site just east of the Roman Forum, its construction started between 70 and 72 AD under the emperor Vespasian and was completed in 80 AD under Titus, with further modifications being made during Domitian's reign (81–96).[1] The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus' family name ("Flavius, from the gens Flavia).Originally capable of seating around 50,000 spectators, the Colosseum was used for gladiatorial contests and public spectacles. It remained in use for nearly 500 years with the last recorded games being held there as late as the 6th century – well after the traditional date of the fall of Rome in 476. As well as the traditional gladiatorial games, many other public spectacles were held there, such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building eventually ceased to be used for entertainment in the early medieval era. It was later reused for such varied purposes as housing, workshops, quarters for a religious order, a fortress, a quarry and a Christian shrine.Although it is now in a ruined condition due to damage caused by earthquakes and stone-robbers, the Colosseum has long been seen as an iconic symbol of Imperial Rome. Today it is one of modern Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession to the amphitheatre.The Colosseum is also depicted on the Italian version of the five euro-cent coin.The Colosseum's original Latin name was Amphitheatrum Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, hence its original name.[2] This name is still used frequently in modern English, but it is generally unknown.The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby.[1] This statue was later remodeled by Nero's successors into the likeness of Helios (Sol) or Apollo, the sun god, by adding the appropriate solar crown. Nero's head was also replaced several times and substituted with the heads of succeeding emperors. Despite its pagan links, the statue remained standing well into the medieval era and was credited with magical powers. It came to be seen as an iconic symbol of the permanence of Rome.In the 8th century, the Venerable Bede (c. 672–735) wrote a famous epigram celebrating the symbolic significance of the statue: Quandiu stabit coliseus, stabit et Roma; quando cadit coliseus, cadet et Roma; quando cadet Roma, cadet et mundus ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world").[3] This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.The Colossus did eventually fall, probably being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" (a neuter noun) had been coined to refer to the amphitheatre. The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearby Temple of Venus and Roma.[4]The name was further corrupted to Coliseum during the Middle Ages. In Italy, the amphitheatre is still known as il Colosseo, and other Romance languages have come to use similar forms such as le Colisée (French), el Coliseo (Spanish) and o Coliseu (Portuguese).Construction of the Colosseum began under the rule of the Emperor Vespasian[1] in around 70–72. The site chosen was a flat area on the floor of a low valley between the Caelian, Esquiline and Palatine Hills, through which a canalised stream ran. By the 2nd century BC the area was densely inhabited. It was devastated by the Great Fire of Rome in AD 64, following which Nero seized much of the area to add to his personal domain. He built the grandiose Domus Aurea on the site, in front of which he created an artificial lake surrounded by pavillions, gardens and porticoes. The existing Aqua Claudia aqueduct was extended to supply water to the area and the gigantic bronze Colossus of Nero was set up nearby at the entrance to the Domus Aurea.[4]The area was transformed under Vespasian and his successors. Although the Colossus was preserved, much of the Domus Aurea was torn down. The lake was filled in and the land reused as the location for the new Flavian Amphitheatre. Gladiatorial schools and other support buildings were constructed nearby within the former grounds of the Domus Aurea. According to a reconstructed inscription found on the site, "the emperor Vespasian ordered this new amphitheatre to be erected from his general's share of the booty." This is thought to refer to the vast quantity of treasure seized by the Romans following their victory in the Great Jewish Revolt in 70. The Colosseum can be thus interpreted as a great triumphal monument built in the Roman tradition of celebrating great victories.[4] Vespasian's decision to build the Colosseum on the site of Nero's lake can also be seen as a populist gesture of returning to the people an area of the city which Nero had appropriated for his own use. In contrast to many other amphitheatres, which were located on the outskirts of a city, the Colosseum was constructed in the city centre; in effect, placing it both literally and symbolically at the heart of Rome.The Colosseum had been completed up to the third story by the time of Vespasian's death in 79. The top level was finished and the building inaugurated by his son, Titus, in 80.[1] Dio Cassius recounts that over 9,000 wild animals were killed during the inaugural games of the amphitheatre. The building was remodelled further under Vespasian's younger son, the newly-designated Emperor Domitian, who constructed the hypogeum, a series of underground tunnels used to house animals and slaves. He also added a gallery to the top of the Colosseum to increase its seating capacity.In 217, the Colosseum was badly damaged by a major fire (caused by lightning, according to Dio Cassius[5]) which destroyed the wooden upper levels of the amphitheatre's interior. It was not fully repaired until about 240 and underwent further repairs in 250 or 252 and again in 320. An inscription records the restoration of various parts of the Colosseum under Theodosius II and Valentinian III (reigned 425–450), possibly to repair damage caused by a major earthquake in 443; more work followed in 484 and 508. The arena continued to be used for contests well into the 6th century, with gladiatorial fights last mentioned around 435. Animal hunts continued until at least 523.[4]Medieval Map of medieval Rome depicting the ColosseumThe Colosseum underwent several radical changes of use during the medieval period. By the late 6th century a small church had been built into the structure of the amphitheatre, though this apparently did not confer any particular religious significance on the building as a whole. The arena was converted into a cemetery. The numerous vaulted spaces in the arcades under the seating were converted into housing and workshops, and are recorded as still being rented out as late as the 12th century. Around 1200 the Frangipani family took over the Colosseum and fortified it, apparently using it as a castle.Severe damage was inflicted on the Colosseum by the great earthquake of 1349, causing the outer south side to collapse. Much of the tumbled stone was reused to build palaces, churches, hospitals and other buildings elsewhere in Rome. A religious order moved into the northern third of the Colosseum in the mid-14th century and continued to inhabit it until as late as the early 19th century. The interior of the amphitheatre was extensively stripped of stone, which was reused elsewhere, or (in the case of the marble facade) was burned to make quicklime.[4] The bronze clamps which held the stonework together were pried or hacked out of the walls, leaving numerous pockmarks which still scar the building today.Exterior The exterior of the Colosseum, showing the partially intact outer wall (left) and the mostly intact inner wall (right) Original façade of the Colosseum Entrance LII of the Colosseum, with Roman numerals still visibleUnlike earlier amphitheatres that were built into hillsides, the Colosseum is an entirely free-standing structure. It is elliptical in plan and is 189 metres (615 ft / 640 Roman feet) long, and 156 metres (510 ft / 528 Roman feet) wide, with a base area of 6 acres. The height of the outer wall is 48 metres (157 ft / 165 Roman feet). The perimeter originally measured 545 metres (1,788 ft / 1,835 Roman feet). The central arena is an oval (287 ft) long and (180 ft) wide, surrounded by a wall (15 ft) high, above which rose tiers of seating.The outer wall is estimated to have required over 100,000 cubic meters (131,000 cu yd) of travertine stone which were set without mortar held together by 300 tons of iron clamps.[4] However, it has suffered extensive damage over the centuries, with large segments having collapsed following earthquakes. The north side of the perimeter wall is still standing; the distinctive triangular brick wedges at each end are modern additions, having been constructed in the early 19th century to shore up the wall. The remainder of the present-day exterior of the Colosseum is in fact the original interior wall.The surviving part of the outer wall's monumental façade comprises three stories of superimposed arcades surmounted by a podium on which stands a tall attic, both of which are pierced by windows interspersed at regular intervals. The arcades are framed by half-columns of the Doric, Ionic, and Corinthian orders, while the attic is decorated with Corinthian pilasters.[11] Each of the arches in the second- and third-floor arcades framed statues, probably honoring divinities and other figures from Classical mythology.Two hundred and forty mast corbels were positioned around the top of the attic. They originally supported a retractable awning, known as the velarium, that kept the sun and rain off spectators. This consisted of a canvas-covered, net-like structure made of ropes, with a hole in the center.[1] It covered two-thirds of the arena, and sloped down towards the center to catch the wind and provide a breeze for the audience. Sailors, specially enlisted from the Roman naval headquarters at Misenum and housed in the nearby Castra Misenatium, were used to work the velarium.[12]The Colosseum's huge crowd capacity made it essential that the venue could be filled or evacuated quickly. Its architects adopted solutions very similar to those used in modern stadiums to deal with the same problem. The amphitheatre was ringed by eighty entrances at ground level, 76 of which were used by ordinary spectators.[1] Each entrance and exit was numbered, as was each staircase. The northern main entrance was reserved for the Roman Emperor and his aides, whilst the other three axial entrances were most likely used by the elite. All four axial entrances were richly decorated with painted stucco reliefs, of which fragments survive. Many of the original outer entrances have disappeared with the collapse of the perimeter wall, but entrances XXIII to LIV still survive.[4]Spectators were given tickets in the form of numbered pottery shards, which directed them to the appropriate section and row. They accessed their seats via vomitoria (singular vomitorium), passageways that opened into a tier of seats from below or behind. These quickly dispersed people into their seats and, upon conclusion of the event or in an emergency evacuation, could permit their exit within only a few minutes. The name vomitoria derived from the Latin word for a rapid discharge, from which English derives the word vomit.*************许愿池(Fontana di Trevi)The Trevi Fountain (Italian: Fontana di Trevi) is the largest — standing 25.9 meters (85 feet) high and 19.8 meters (65 feet) wide — and most ambitious of the Baroque fountains of Rome. It is located in the rione of Trevi.The fountain at the juncture of three roads (tre vie) marks the terminal point of the "modern" Acqua Vergine, the revivified Aqua Virgo, one of the ancient aqueducts that supplied water to ancient Rome. In 19 BC, supposedly with the help of a virgin, Roman technicians located a source of pure water some 13 km (8 miles) from the city. (This scene is presented on the present fountain's facade). However, the eventual indirect route of the aqueduct made its length some 22 km (14 miles). This Aqua Virgo led the water into the Baths of Agrippa. It served Rome for more than four hundred years. The "coup de grace" for the urban life of late classical Rome came when the Goth besiegers in 537/38 broke the aqueducts. Medieval Romans were reduced to drawing water from polluted wells and the Tiber River, which was also used as a sewer.The Roman custom of building a handsome fountain at the endpoint of an aqueduct that brought water to Rome was revived in the fifteenth century, with the Renaissance. In 1453, Pope Nicholas V finished mending the Acqua Vergine aqueduct and built a simple basin, designed by the humanist architect Leon Battista Alberti, to herald the water's arrival.[edit] The present fountain[edit] Commission, construction and designIn 1629 Pope Urban VIII, finding the earlier fountain insufficiently dramatic, asked Bernini to sketch possible renovations, but when the Pope died the project was abandoned. Bernini's lasting contribution was to resite the fountain from the other side of the square to face the Quirinal Palace (so the Pope could look down and enjoy it). Though Bernini's project was torn down for Salvi's fountain, there are many Bernini touches in the fountain as it was built. An early, striking and influential model by Pietro da Cortona also exists.Competitions had become the rage during the Baroque era to design buildings, fountains, and even the Spanish Steps. In 1730 Pope Clement XII organized a contest in which Nicola Salvi initially lost to Alessandro Galilei — but due to the outcry in Rome over the fact that a Florentine won, Salvi was awarded the commission anyway.[1] Work began in 1732, and the fountain was completed in 1762, long after Clement's death, when Pietro Bracci's 'Neptune' was set in the central niche.Salvi died in 1751, with his work half-finished, but before he went he made sure a stubborn barber's unsightly sign would not spoil the ensemble, hiding it behind a sculpted vase. The Trevi Fountain was finished in 1762 by Giuseppe Pannini, who substituted the present bland allegories for planned sculptures of Agrippa and "Trivia", the Roman virgin.[edit] RestorationThe fountain was refurbished in 1998; the stonework was scrubbed and the fountain provided with recirculating pumps.[edit] IconographyThe backdrop for the fountain is the Palazzo Poli, given a new facade with a giant order of Corinthian pilasters that link the two main stories. Taming of the waters is the theme of the gigantic scheme that tumbles forward, mixing water and rockwork, and filling the small square. Tritons guide Neptune's shell chariot, taming seahorses (hippocamps).In the center is superimposed a robustly modelled triumphal arch. The center niche or exedra framing Neptune has free-standing columns for maximal light-and-shade. In the niches flanking Neptune, Abundance spills water from her urn and Salubrity holds a cup from which a snake drinks. Above, bas reliefs illustrate the Roman origin of the aqueducts.The tritons and horses provide symmetrical balance, with the maximum contrast in their mood and poses (by 1730, the rococo is already in full bloom in France and Germany).[edit] Coin throwingA traditional legend holds that if visitors throw a coin into the fountain, they are ensured a return to Rome. Among those who are unaware that the "three coins" of Three Coins in the Fountain were thrown by three different individuals, a reported current interpretation is that two coins will ensure a marriage will occur soon, while three coins leads to a divorce. A reported current version of this legend is that it is lucky to throw three coins with one's right hand over one's left shoulder into the Trevi Fountain.Approximately 3,000 Euros are thrown into the fountain each day and are collected at night. The money has been used to subsidize a supermarket for Rome's needy. However, there are regular attempts to steal coins from the fountain, including some using a magnetized pole. 参考资料： http://en.wikipedia.org/wiki/Colosseum 本回答被提问者采纳
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威尼斯Venice (Italian: Venezia, Venetian: Venesia or Venexia) is a city in northern Italy, the capital of the region Veneto, and has a population of 271,251 (census estimate January 1, 2004). Together with Padua, the city is included in the Padua-Venice Metropolitan Area (population 1,600,000). Venice has been known as the "La Dominante", "Serenissima", "Queen of the Adriatic", "City of Water", "City of Bridges", and "The City of Light". It is considered by many to be one of the most beautiful cities in the world.The city stretches across 118 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy. The saltwater lagoon stretches along the shoreline between the mouths of the Po (south) and the Piave (north) Rivers. The population estimate of 272,000 inhabitants includes the population of the whole Comune of Venezia; around 62,000 in the historic city of Venice (Centro storico); 176,000 in Terraferma (the Mainland), mostly in the large frazione of Mestre and Marghera; and 31,000 live on other islands in the lagoon.The Venetian Republic was a major maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce (especially silk, grain and spice trade) and art in the 13th century up to the end of the 17th century. 科洛塞竞技场Ke Luose Arena (also translated the Roman Colosseum) Roman times is the greatest one of the building, but also to preserve the best of an amphitheater. Venice is located in the south-east of the square. Colosseum is one of the world's eight major attractions, but also a symbol of the Roman Empire. The huge open-air theater called Flavio Theater, as it is by Flavio's family, several of the construction of the emperor. In general, Keluo Se known. Colosseum look like a huge bunker, covers an area of 20,000 square meters, 527 meters perimeter wall with a diameter of 188 meters, 57 meters high wall, which is equivalent to a 19-story modern building height, site could be 107,000 spectators. Like all Roman architecture, the basic structure of the arch structure, a series of humps, coupons and appropriate arrangements for the oval-shaped building components so that the whole building is extremely strong. This is the time to use animal fighting, the British sports, horse racing, theater and cabaret venue. The majestic architecture of the building can be a model. Construction is in a concave on the floor of the magnificent building. Nero era, this is Nero Au Kam-din in the garden of a man-made lake. 图片的话百度里一搜一大堆 还有一些别的景点在百科里有http://baike.baidu.com/view/3784.htm#2然后自己翻译一下 自己做ppt吧 参考资料： http://zhidao.baidu.com/question/79227872.html